domestic8

the vagaries of domestic life

10,486 notes

Whenever I hear someone talking about how it’s wrong to have sex and sexiness in YA novels, what I actually hear is this:

I’m terrified that the first fictional sex a teenage girl encounters might leave her feeling good about herself. I’m terrified that fictional sex might actually make teenage girls think sex can be fun and good, that reading about girls who say no and boys who listen when they say it might give them the confidence to say no, too – or worse still, to realise that boys who don’t listen to ‘no’ aren’t worth it. I’m terrified that YA novels might teach teenage girls the distinction between assault and consensual sex, and give them the courage to speak out about the former while actively seeking the latter. I’m terrified that teenage girls might think seriously about the circumstances under which they might say yes to sex; that they might think about contraception before they need it, and touch themselves in bed at night while fantasising about generous, interesting, beautiful lovers who treat them with consideration and respect. I’m terrified of a generation of teenage girls who aren’t shy or squeamish about asking for cunnilingus when they want it, or about loving more than one person at once, and who don’t feel shame about their arousal. I’m terrified that teenage girls might take control of their sexuality and, in so doing, take that control of them and their bodies away from me.

“Why YA Sex Scenes Matter,” Foz Meadows (via aimmyarrowshigh)

(Source: dduane, via vaginalfantasy)

4,641 notes

unhistorical:

April 15, 1947: Jackie Robinson breaks the “baseball color line”.

Professional American baseball was established in 1869, four years after the end of the Civil War; while African-Americans did have their own clubs and professional leagues, Major League Baseball was de facto segregated from its founding until 1946 (non-whites had previously played in the MLB, however), when Jackie Robinson, a Georgian and a Negro League baseball player, signed with the Brooklyn Dodgers. 

Robinson played his first game with the Dodgers on April 15, 1947, at Ebbets Field in front of a crowd of 26,000, over half of whom were black. Robinson received torrents of racist hatred and resentment from spectators, from opposing teams, and from even his own teammates. When Robinson, who had once been court-martialed during his time as an army officer for refusing to move to the back of a bus asked Branch Rickey, “are you looking for a Negro who is afraid to fight back?” Rickey famously responded that he was looking for a player “with guts enough not to fight back”. Robinson’s first step toward the integration of Major League Baseball was neither smooth nor simple - Robinson was heckled with slurs and even injured while playing, he and his family were met with death threats and violence, and some of his own teammates refused to play alongside a black player (though others, like Pee Wee Reese and Hank Greenberg defended Robinson). But his debut was a monumental moment in baseball history; in 1948, 1951, and 1956, baseball greats like Satchel Paige, Willie Mays, and Hank Aaron all signed with major league teams. 

In 1962, Robinson was inducted into the Baseball Hall of Fame. His jersey number, 42, has since been retired by all Major League Baseball Teams. Later in his life, he served on the board of directors of the NAACP, supported the SCLC and CORE, and worked to promote civil rights - writing that he wouldn’t “‘have it made’ until the most underprivileged Negro in Mississippi can live in equal dignity with anyone else in America.” 

(via bleacherbummed)

11,106 notes

blueandbluer:

thelefthandedwife:

extranjero:

magentawombat:

celestialmazer:

THE ARCHAEOLOGY OF A DRESS

Restored dress as worn by Ellen Terry in her 1888 portayal of Lady Macbeth.

“When Ellen starred alongside Henry Irving in Macbeth in 1888, there was not a wide choice of fabrics available in England, and Alice could not find the colours she wanted to achieve her effects. She wanted one dress to ‘look as much like soft chain armour as I could, and yet have something that would give the appearance of the scales of a serpent.’ (Mrs. J. Comyns Carr’s ‘Reminiscences’. London: Hutchinson, 1926) Mrs. Nettlship found a twist of soft green silk and blue tinsel in Bohemia and this was crocheted to achieve the chain mail effect.

The dress hung beautifully but: ‘we did not think that it was brilliant enough, so it was sewn all over with real green beetle wings, and a narrow border in Celtic designs, worked out in rubies and diamonds, hemmed all the edges. To this was added a cloak of shot velvet in heather tones, upon which great griffens were embroidered in flame-coloured tinsel. The wimple, or veil, was held in place by a circlet of rubies, and two long plaits twisted with gold hung to her knees.’

the history blog.
the guardian
V&A 
blogspot

This post is sweet, pure costumer crack. 

‘look as much like soft chain armour as I could, and yet have something that would give the appearance of the scales of a serpent.’

the sound that just came out of my mouth oh my god

isn’t this dress/painting part of the inspiration for the character design of the Queen in Brave as well?

always reblog beetle dress!

(via lubetzky)